Her shrine is the church of Santa Fidgeta in Tormento, Italy, built on the spot where the saint appeared to Scintilla Sforza and where the Order of Faithful Fidgettines (O.F.F.) was founded. The Catholic Casting Company of Chicago built a statue of the saint for the shrine. The Apotheosis of St. Fidgeta was featured on the altarpiece.

Icons of St. Fidgeta have included the red slap mark on the cheek, the scholar's pen, and virgin's girdle. Her most famous apparition was her appearance near the city of Pinsk.

The remains of what is thought to be a medieval Fidgettine convent are located within forty miles of Retching-under-Tweed in England.

St. Fidgeta makes an appearance as a former Flimsy in Bellairs' second book, The Pedant and the Shuffly.

Artwork

• Apotheosis of St. Fidgeta (Rubens)
• Saint Fidgeta Chastised by St. Jerome (Caravaggio)
• Saint Fidgeta in Ecstasy (Fragonard)

Literature

• De Angelis discusses St. Fidgeta's role within the angelic hierarchy.
• Fidgetas Lied und der Deutsche Geist, Das (Schwiegermutter)
• Fidgeta and the Problem of the Catholic Artist in an Altogether Too Secularized Society (Laetare)
• Fragonards Fidgetabild und Romantische Weltschmerz (Schlechty)

Litany of Saint Fidgeta

Depending on what printing of the book one reads, this litany may or may not make a lot of sense. Careful reading of some versions present the following:

From the fear that also during the night the
     can see our noses and that it will
     make us crossed-eyed . . .

From the unaccontable feeling that we
     Communists will crawl over the window
     sill and take over and will we have
     the strength to die for our Faith . . .

The litany reads correct in the Critic though the book's error (no doubt caused by a nervous and therefore jittery type-setting machine) was caught and corrected for later editions. Those still not understanding the point, switch the first lines of each verse and all will be revealed.