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The Doom of the Haunted Opera
 
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"Beware!" the ghost whispered.
"Beware the doom of the haunted opera!
He means to be the King of the Dead!"

When Lewis Barnavelt and Rose Rita Pottinger explore an old, abandoned theater, they find an unpublished opera score. Disregarding the warning of the ghost, they bring the sheet music to school, where The Day of Doom is heralded as a masterpiece. Then Henry Vanderhelm, the composer's grandson, arrives and manipulates the town into putting on a performance of the opera. Only Vanderhelm knows that when the opera is played, the dead will awaken...to help Henry Vanderhelm enslave the world! Will Lewis and Rose Rita stop the performance -- or watch the curtain rise on the undead?

 
 
the good
One of Mrs. Jaeger's spells included a bizzare rhyme that included words from Basque, Finno-Ugric, and Tagolog!
   
the bad
The snake-woman statue which could only follow Lewis and Rose Rita when their backs were turned...
   
the ugly
When at last he did fall asleep, he had a strange dream. He and Rose Rita were walking up the stairs again, but this time the lights were all on and a crowd was jostling them. The men wore black tailcoats and white ties, and they all carried top hats. The women wore long white gowns, beautiful necklaces of diamonds and pearls, and fur stoles around their shoulders.

Somehow Lewis and Rose Rita found themselves in the auditorium, which looked rich and elegant in the warm glow of a sparkling glass chandelier. A red velvet curtain with gold fringe hid the stage, and mournful music rose from the orchestra pit. This music summoned Lewis, and he plodded forward like a sleepwalker until he could look down into the pit.

The light gleamed off brass horns, dark woodwinds, and satiny violins that were lying on chairs or leaning against them. The grand piano was gone, and in its place stood an imposing organ. A man sat in front of it, his long, spidery fingers flying over the keys as he played the mysterious music. Slowly his head turned. For a moment Lewis was afraid he would see the dead face of the ghost again, but this was a different person, although he was as cadaverous as the ghost had been. He grinned at them. "Check your heads at the hatcheck counter!" he called pleasantly. "We'll have no whistling cats here. This is Art!"

As he laughed at his own words, a cloud of black flying things whirled out of his opened mouth. At first Lewis thought they were flies, but they grew larger and larger until they were bats, and they came flapping and squeaking right at him!

He and Rose Rita turned and ran up the aisle, but it was full of people now, who were shambling forward blindly. Lewis blinked hard. They were all headless! The men's collars ended with nothing above them. The bejeweled necks of the women were cut off above the pearls and diamonds. Rose Rita screamed.

   
"The Good, the Bad, and the Ugly" courtesy Jonathan Abucejo.
 
trivia
 
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publish publish publish
This is the sixth book in the Lewis Barnavelt series. It is the fourth and final book "completed" by Brad Strickland.

Brad Strickland says he and the editorial board "went round and round" when deciding the title. "The board argued that no kid would want to read anything about operas -- it was a wimpy word -- and me arguing that we ought to use John's projected title." The alternative was The Doom of the Haunted Theater which Strickland says he did not care for.

 
Stats
Author: Brad Strickland (48)
Published: September 1995
Chapters: 16
Pages: 153
 
Awards
 
Adaptations
There are no known adaptations of this work.
 
Allusions
None known.
 
Dedication
Thanks to Jeanne Sharp, reader and advisor.

Brad Strickland: "Jeanne is a super young woman who was a dedicated Bellairs fan," explains Strickland. "She got in touch with my agent when she learned I was working on completing the Bellairs novels and sternly told me I'd better do a good job! She seemed so well-read in John's work that I sent her the manuscript of The Drum, the Doll, and the Zombie to check for errors. She found only a few, but made lots of suggestions ("You've got to mention Fergie's big feet!"). She vetted a couple more of the books, until she became so busy with college that she couldn't any more, but by that time I was ready to fly on my own."

For Ann and Tony LaPietra, who helped me explore the haunted opera!

dedicate
Ann LaPietra (1933-2007) is responsible for creating the John Bellairs Walk, a walking tour of Bellairs's hometown of Marshall, Michigan that features the real-life inspirations of items found in the author's work."
 
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